Wednesday, June 16, 2010



"To the surrealists, the home was a mirror of the psyche: a capsule of deep memories, sexual urges, of dreams and fears. In a world of crowded cities and war, the indoors was a repository of anxieties about the outdoors. Often the surrealists played this out in theatrical stage sets such as Alberto Giacometti's haunting dreamscape The Palace at 4am – the show has Giacometti's painting of it rather than the wonderful sculpture – and Louise Bourgeois's No Exit, a wooden staircase turned into a saw-toothed phallus. Welcome to what Freud called the uncanny, or unheimlich (literally "unhomely"). Things here are familiar but uncomfortable – home, but certainly not sweet home..."

Interior dark: two shows reveal visions of the unhomely

Language Is Hell - Niko Vassilakas

"On each of Language Is Hell 's fourteen pages, Vassilakis breaks with canonical forms of asemic writing by using recognizable Latin glyphs. But he arranges these letters into smoldering layers that effectively cancel out individual letters and create abstract lines and black abysses from the residual angles and colors. The letters that remain recognizable -- a few vowels and consonants here and there -- assert themselves from chaos, without organizing it, and form stacks and chains that don't create much, if any, semantic meaning."

Thursday, June 10, 2010

Negura Bunget - Primul Om

Plaid - The Launching Of Big Face



Thanks Korut!

Wednesday, June 9, 2010

JUNG’S RED BOOK: Life After Depth

“Here are some snapshot impressions of the book that may yield the skeleton of its content. Inner battles take place. In the prophetic opening the Spirit of the Depths spars with the Spirit of the Times in him. The contemporary and changing thinking of Time constantly has to give way to the immemorial and shaping future contained in, and arising from, the Depths.
A spiritual message emerges, a new way for the time we live in today, with Jung becoming the task, interpreter, and bearer of it. The teaching is of a new God image–an immanent God who is in everything big and small, dark and light. The paradox in this holds that “the highest truth and the absurd is one and the same thing.” Moreover, “the melting together of sense and nonsense produces the supreme meaning”; and “if you marry the ordered to the chaos you produce the divine child.” The task is to hold the opposites together, “the goal is not the heights but the center”–the center or Self which can be said as “God in us…”

"In Jung’s personal journey his feminine Soul voice battles with him to recognize and balance his own opposites. There is a peeling back of distrust, scorn, judgment, pride, defiance, doubt, confusion, rage, and fear. The need to develop patience—a waiting, enduring, receiving mode as the feminine (or anima) within—is put to him. He discovers that thinking and feeling need each other..."

"Jung carves his own path, insisting "my path is not your path" and, "to live oneself is to be one’s own task." The fantasies deepen in a spiraling journey of recurring, evolving patterns. The horror and the positive aspects of collective human history unfold before him. Soul insists he accept it all. "I feel the things that were and that will be". He initially recoils at the enormous task ahead. "Futurity grows out of me; I do not create it, and yet I do."

A transformative image of black snake appears, winding up, becoming white, and emerging through the mouth of the crucified Christ.

"To give birth to the ancient in a new time is creation," he writes..."

The article by Claire Dunne can be read in its entirety here

Tuesday, June 8, 2010

The Amazing David Hochbaum
















You can check out a lot more of David's work over at his Myspace, so just do it!